系統設計者的話：學英文根本不用背，你講中文，你有在背中文嗎？學英文也是一樣的道理，那是自然而然就會的東西，用背的方式最後肯定都是不行的。 更多...

最好的學習就是有英文的父母，不斷的跟你說話、耐心的教導你，時間長了，你也就慢慢就融入其中了。

但是我們沒有英文父母怎麼辦？看影片學英文就學的起來嗎？學不起來。

我們從小到大，也看過了不少英文電影，至少也看過1、200部也跑不掉，但是為什麼看了這麼多的英文電影，英文還是很爛呢？

主要的原因是我們沒有從基礎性的強化學習。舉個例子，西方的幼兒出生時，他至少聽了各種大人講英文至少聽了2年，才慢慢開始說英文、與大人互動。

而且都是一字一句慢慢的說、慢慢的教、漸進式的、慢慢的、越來越習慣、越來越聽的懂、越來越會說的過程。

那麼我們看的影片、電影過程中，都是大人成熟型的講話速度、方式、語調，我們怎麼可能跟的上？

一旦跟不上，思想中就會產生覺的好難哦、我不行種種念頭，那麼產生了這種潛在式的排斥心理作用，那麼你就更難學的會了。


所以我們必須打好基礎、深厚的基礎，萬丈高樓平地起，唯有打下深厚的基礎，後面你走的路才會越來越順。

程式界裏有句話，程式債欠的越多，最後就只能放棄。學英文也是一樣，英文單字債欠的越多，你就直接上來文法、句型、語調，最後也只能放棄。

基於上述的思維，我打造了這套系統，從最基礎的單字學習起，不斷的強化、加深你對這個單字的聽力，透過各式各樣的影片、各式各樣的人、各種不同的場景。

就只是為了訓練一個單字的聽力，無數的人跟你講同一個單字，講個20遍、50篇、100遍(且不重覆)，我就不信學不起來。


這套系統做出來後，我自己在使用的過程中，確實真的能聽出來他們講的這個單字，而且他們講的速度再快也能聽的出來。

能聽的出來，就知道他講的大概意思；能夠知道他講的大概意思，就能夠用幾個簡單的單字回應；能夠回應，也就能夠對話；當能夠對話，就能夠再修正文法、句型、語調。


我的目地就是希望自己至少能聽的懂人家在說什麼，用英文跟人家對話，大家共同努力、學習。若有其它想法或對這套系統設計的建議，也可以與我聯絡：ichich2013@gmail.com

Kenneth Ormandy: Syntax Highlight Everything - CSSConf.Asia 2016
觀看次數：552
developer
uses
syntax
highlighting
to
they're
typographic
cues
that
add
to
the
skimming
code
and
how
effectively
you're
anything
else
syntax
highlighting
is
and
because
of
this
typographic
conventions
in
syntax
highlighting
can
articles
visual
identities
user
entirely
when
syntax
highlighting
is
typographic
conventions
in
code
syntax
highlighting
creates
a
visual
hierarchy
highlighting
typically
the
syntax
is
categorized
for
you
with
different
hues
have
to
associate
and
disassociate
typos
so
I
guess
that's
qualifies
as
a
highlighting
there
isn't
a
single
ignored
or
intentionally
broken
and
I
thinking
about
how
syntax
highlighting
maintaining
the
same
syntax
highlighting
type
designers
whose
an
atletico
said
typography
and
book
typography
and
on
type
sizes
monospaced
typefaces
lose
a
advanced
typographic
features
syntax
highlighting
beyond
code
code
doesn't
the
distinct
blue
hyperlink
signifies
earhart
rat-boy
page
from
the
15th
punctuation
hasn't
always
been
used
to
univera
designed
by
adrian
frutiger
a
multi-axis
typeface
system
with
presented
to
other
designers
type
see
that
in
his
own
typeface
greta
this
there's
also
a
serif
and
a
monospaced
bold
italic
anchors
and
other
visual
ligatures
which
in
opentype
is
also
abbreviated
to
lyga
and
you
might
think
spacing
issue
within
the
typeface
here
small
sizes
and
a
ligature
can
be
a
in
his
thesis
typeface
kovach
you
can
here
you
go
so
that's
highlighted
and
influenced
by
brush
lettering
he
did
a
solved
through
the
open
type
ligatures
css
using
the
font
variant
ligatures
case
scenario
css
font
variant
ligatures
ligatures
is
font
feature
settings
and
here
we're
saying
font
feature
settings
is
sort
of
an
inversion
of
those
feature
queries
if
font
variant
ligatures
aren't
supported
then
we'll
use
font
feature
settings
otherwise
we
can
use
font
variant
ligatures
now
this
is
kind
of
these
advanced
typographic
features
i'm
name
those
four-letter
opentype
feature
abbreviations
so
you
can
install
it
feature
queries
so
to
look
at
another
but
one
that
won't
be
is
discretionary
ligature
they're
ligatures
that
are
applied
at
clinics
lab
there's
an
ST
and
a
th
ligature
which
you
probably
wouldn't
could
use
font
variant
ligatures
and
say
discretionary
ligatures
or
for
and
then
you'll
have
discretionary
interesting
feature
is
contextual
alternates
this
is
a
lavanderia
typeface
it's
a
a
lettering
typeface
or
a
typeface
inspired
by
lettering
so
there
this
typeface
enemy
by
shivan
alla
para
mel
it's
supposed
to
it's
a
stencil
same
there's
been
different
versions
of
the
glyph
designs
so
when
they
sit
repeating
font
so
you
can
use
this
in
your
css
with
font
variant
ligatures
contextual
or
the
C
alt
class
in
my
Apple
emojis
like
look
like
there's
no
contextual
alternates
feature
in
this
icon
set
or
sketchy
and
hand-drawn
so
there's
developers
like
stickers
so
there's
it's
on
stickers
postcards
and
then
people
currently
available
for
cryptography
gary
typeface
she
did
with
many
contextual
alternates
the
challenges
of
other
designers
type
designers
linguists
considerations
that
are
available
in
that
this
typeface
by
the
type
foundry
I
got
to
work
with
americo
takagi
for
a
Japanese
typefaces
and
the
specimens
we
typography
specific
issues
and
you're
night
talk
about
designing
bilingual
multilingual
typefaces
and
if
you're
typeface
lavanderia
that
we
were
looking
a
set
of
typefaces
for
a
company
you're
few
key
glyphs
in
a
typeface
that
really
the
font
feature
settings
property
comes
contextual
alternates
and
stylistic
handles
and
usernames
with
an
at
and
you
small
capitals
small
capitals
are
so
don't
use
the
old
font
variant
small
caps
feature
that
creates
fake
small
surge
pricing
page
for
the
acronyms
as
all
those
acronyms
and
span
tags
but
are
the
default
in
sans-serif
typefaces
be
the
default
in
serif
typefaces
a
good
numbers
help
us
align
numbers
vertically
rather
than
horizontally
so
if
we're
fit
in
with
your
typeface
so
i've
see
monospaced
font
for
their
tables
but
horizontally
and
vertically
and
if
use
them
it
also
applies
in
animation
and
user
interface
design
when
the
frames
are
stacked
rather
than
having
variant
numeric
tabular
numbs
and
it's
choose
a
typeface
that
has
the
feature
morriston
by
design
by
riley
cran
i've
but
if
I
switch
to
this
typeface
sq
fina
good
for
when
you're
evaluating
k
faces
font
service
you're
using
and
it
it's
documented
with
lots
lots
of
examples
on
the
specifics
of
the
css
since
it's
wrote
an
amazing
syntax
highlighting
with
principles
in
syntax
highlighting
readers
i'm
sure
you'll
syntax
highlight
I
think
that's
a
very
insightful
tech
i
mentioned
peterby
lacks
typeface
people
recommending
you
a
lot
of
new
swatches
are
part
of
the
otf
font
so
how
the
opentype
font
format
wafaa
and
waft
browsers
support
all
the
font
feature
or
the
majority
of
the
font
feature
settings
certainly
for
latin
based
opentype
font
formats
this
will
all
work
you
can
set
font
variant
ligatures
but
feature
settings
and
then
you
went
into
for
font
feature
settings
is
very
good
settings
that's
totally
fine
and
that
font
feature
settings
and
no
we'll
have
good
browser
support
hey

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